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    <title>Diversity | CCSI Data Observatory</title>
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      <title>Diversity</title>
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      <title>Cultural Diversity &amp; Circulation</title>
      <link>https://ccsi.dataobservatory.eu/pillar/diversity-circulation/</link>
      <pubDate>Thu, 06 Oct 2022 08:12:00 +0200</pubDate>
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      <description>&lt;p&gt;WP2 Music diversity and circulation will culminate in a pilot project conducted in Slovakia, Lithuania, and Ukraine by &lt;a href=&#34;https://ccsi.dataobservatory.eu/authors/soza&#34;&gt;SOZA&lt;/a&gt;, &lt;a href=&#34;https://ccsi.dataobservatory.eu/authors/mxf&#34;&gt;MXF&lt;/a&gt;, and &lt;a href=&#34;https://ccsi.dataobservatory.eu/authors/meu&#34;&gt;MEU&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The WP2 pilot project will demonstrate the feasibility of increasing local artist
representation in radio and streaming, via trustworthy AI and evidence-based regulatory policy. In the “Listen Local” project, partners &lt;a href=&#34;https://ccsi.dataobservatory.eu/authors/soza&#34;&gt;SOZA&lt;/a&gt; and &lt;a href=&#34;https://ccsi.dataobservatory.eu/authors/reprex&#34;&gt;Reprex&lt;/a&gt; created the Slovak Demo Music Database (SDMDb) as a reference database to measure the market share of Slovak music in radio and streaming, and created a prototype of a recommendation
system that meets trustworthy AI criteria and is able to achieve similar cultural diversity goals as laid out by Slovak media legislation in 2015: i.e., to achieve 15% “Slovak” market share in radio playlists.&lt;/p&gt;
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      <title>Music Exports &amp; Imports</title>
      <link>https://ccsi.dataobservatory.eu/usecase/music-export/</link>
      <pubDate>Fri, 27 Sep 2019 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Europe, like most regions of the world, is a net importer of music, but has very signficant export potential. Intra-European export is also very significant, especially from Germany, France, Sweden and the Netherlands.&lt;/p&gt;
&lt;p&gt;The Central and Eastern European region is relatively weak in exporting recorded and live performances, but it is among global leaders in creating export revenues from festivals.&lt;/p&gt;
&lt;p&gt;Currently I am involved in creating predicitve models that help finding the best potential foreign market for music, and I make economic impact assessments of cultural tourism.&lt;/p&gt;
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